Are Alan Jackson George Strait Toby Keith Clint Black Etc Going to Start Recording Again
How practice you make a sprawling list of 100 tunes seem criminally brusque? Endeavour to squeeze the greatest land songs of all time into that infinite.
As nosotros considered a century's worth of story-driven songcraft, nosotros did our darndest to brand certain all of the greats were recognized. And when nosotros say "of all time," we meanall time.
Every era is reflected hither, from the Carter Family and Jimmie Rodgers' celebrated recordings to the reign of the "Nashville Sound," outlaws, singing cowboys and pop crossovers.
And before you shake your fists and grumble furiously nigh how the list forgot "Friends in Low Places" or gave "nine to 5" the brusk stick, let'southward establish one basic dominion: One song per artist, with the exception being duets.
Ane vocal from Cash. One song from Garth. And, yes, as tough as information technology can exist, but one song from Dolly.
Now, grit off your turntable (or boot up Spotify) and travel through 100 of the greatest tracks to come up from Music City, Bakersfield and beyond.
Agree or disagree? Nosotros want to hear from you lot:Join us on Reddit at 12 p.m. CDT Tuesday, Aug. 27 for an AMA with the writers who compiled this listing
COUNTRY MILE:Artists, songs and lyrics take us through the rich history of state music
Dolly Parton — "Jolene"
Evocative and woeful, Parton'due south marquee recording crosses genre and generations — a once-in-a-world vocal without boundaries.
Tim McGraw — "Alive Similar Y'all Were Dying"
McGraw's 2004 ballad reminds listeners to love deeper, speak sweeter and give forgiveness that you've been denying.
Tammy Wynette — "Stand By Your Man"
V decades removed from hitting airwaves, and country music true-blue still stand up tall for Wynette and her booming chorus.
Brad Paisley and Alison Krauss — "Whiskey Lullaby"
It's known for its layered, mournful instrumentation, simply it's the ballad's devastating storytelling and Paisley's ability to softly serenade that makes "Whiskey Lullaby" one of state's best modern cuts.
Alan Jackson — "Where Were Yous (When the World Stopped Turning)"
The state music Grade of 1989 returns to the best listing, this fourth dimension asking a question in the shadow of a generation-defining event.
Patsy Montana — "I Desire to be a Cowboy's Sweetheart"
In 1935, this jaunty melody became the showtime country song by a female person artist to sell more than i million copies. It'due south since been covered by anybody from Patti Folio to Cyndi Lauper and Phish.
Clint Black — "Killin' Time"
On his 1989 nautical chart-topper, Black tried — and failed — to drink a adult female off of his mind.
Eric Church — "Springsteen"
Church building expertly captures a fleeting feeling chased past all musicians — similar the chorus says, "Sometimes a tune sounds similar a memory."
Chris Stapleton — "Tennessee Whiskey"
With a crude but welcoming warmth, Stapleton croons a rendition of this country archetype that's worth toasting for years to come.
George Jones — "He Stopped Loving Her Today"
The years get slowly by, just Jones however preys upon our minds.
Deanna Carter — "Strawberry Wine"
A commercial and critical success however filling Lower Broadway taverns with a chorus that offers "My beginning gustation of love, oh bloodshot."
Kenny Rogers and Dolly Parton — "Islands in the Stream"
One of the biggest pop-land crossovers in history, the beloved duet has lived on through remixes and abiding karaoke rotation.
The Judds — "Why Not Me"
With the title runway of their debut album, mother and daughter Naomi and Wynonna Judd fabricated their case for being the biggest land duo of the '80s.
Conway Twitty — "Howdy Darlin' "
This self-penned tune became Twitty'southward signature song, near a guy who tin't become over the woman he wronged and lost.
Loretta Lynn — "Coal Miner'due south Daughter"
A song, a film and a way of life for a generation raised on Lynn's working-class honesty.
Kris Kristofferson — "Sunday Morning Coming Downward"
Cash fabricated it famous, but no song may amend exemplify the power and bear on of Kristofferson's pen.
Don Williams — "Good Ole Boys Similar Me"
During the song's 1980 release and beyond, Williams explains why "we're all gonna be what we're gonna exist."
Jimmie Rodgers — "Blue Yodel (T for Texas)"
Recorded more than 90 years ago, "T for Texas" is considered past many to be the premier song from a blue yodelin' father to the genre.
Carter Family unit — "Tin can the Circle Exist Unbroken (By and By)"
A torch-bearing phone call for country music that'south still historic on stages today.
Ray Price — "Heartaches by the Number"
It spent twoscore weeks on Billboard's Hot Land Songs chart and 60 years at the top of mind for 1950s country classics.
Rosanne Greenbacks — "7 Yr Ache"
Covered in pulsate loops and 1980s synthesized production, information technology'south Rosanne Cash's sorrow that stands the test of time.
Steve Earle — "Guitar Town"
A foot-stomping country-rock tribute to wanderlust down a lost highway.
Old Crow Medicine Show — "Wagon Wheel"
Sure, Darius Rucker fabricated it a hit, only little comes close to experiencing Old Crow howling this singalong for thousands of invested onlookers.
Jeannie C. Riley — "Harper Valley PTA"
A fictional Tennessee scandal that took Riley to the top of Billboard's Hot 100 chart.
Miranda Lambert — "The House That Built Me"
The fastest-rising single of Lambert's career remains a haunting exploration of her music'south power to resonate for repeated listens.
Kitty Wells — "It Wasn't God Who Made Honky Tonk Angels"
Two-and-a-one-half minutes of truth that launched a career for this Tennessee legend.
Jerry Reed — "Eastbound and Down"
Country music's all-time addition to soundtrack canon? Perhaps — it's the most lively, at to the lowest degree.
Roger Miller — "King of the Road"
A soft tap on the bass, a snap of the finger and Miller'south off to croon listeners with his 1964 vagabond tale.
Waylon Jennings and Willie Nelson — "Mammas Don't Allow Your Babies Grow Upwards to Be Cowboys"
Ii of the genre's finest unite for a heartfelt warning that cowboys "never stay home and they're always alone, fifty-fifty with someone they love."
George Strait and Alan Jackson — "Murder on Music Row"
"Someone killed country music/ Cutting out its middle and soul," Strait laments on the seething duet. It was released in 2000, but the sentiment still strikes a chord today.
Bobbie Gentry — "Ode to Billie Joe"
What did Billie Joe throw off the bridge? Regardless of the respond, Gentry captivates with every word.
Vince Gill — "Go Balance Loftier on That Mount"
An awe-inspiring musical eulogy from Gill, delivered best during times when something moving needs to be heard.
Johnny Cash — "I Walk the Line"
Greenbacks released his ode to temptation in 1956, cementing words in musical history that agree true in 2019.
Marty Robbins — "El Paso"
Complemented past Spanish picking, "El Paso" offers a encarmine romance worthy of western songwriting.
Keith Whitley — "I'grand No Stranger to the Rain"
The final single released during Whitley'south lifetime shows the singer peacefully reminding listeners that "I've fought with the devil, got downwardly on his level/ Merely I never gave in, and so he gave upward on me."
Eddy Arnold — "The Cattle Phone call"
The Tennessee Plowboy yodels his lonesome telephone call, a sound that would shape country to come.
Reba McEntire — "Fancy"
Written by Bobbie Gentry in 1969, the almighty Reba unleashed fire with her evidence-closing 1990 version of this song.
Buck Owens — "Deed Naturally"
A honey song for the starry-eyed dreamers wishing about ane day being put in the movies.
Trisha Yearwood — "Walkaway Joe"
Zeal turns amiss in the honey 1990s ballad from Yearwood.
Lady Antebellum — "Need You Now"
Behind the band'south gorgeous harmony, Lady A sings of a longing some may know also well.
Shania Twain — "Man! I Feel Like a Woman"
The 1990s country anthem passed from Generation X mothers for millennial daughters to make their own.
Taylor Swift — "Hateful"
In a characteristically triumphant move, Swift turns a tune about scathing critics into the brightest addition of her country music catalog.
Vern Gosdin — "Chiseled in Stone"
A tear-jerking carol worthy of the Country Music Association's Song of the Year award in 1989.
Blake Shelton — "Ol' Red"
Before it was a chain of bars, Ol' Reddish was the prison house dog that helped Shelton'southward character bust out (thanks to his cousin's bluetick hound.)
Ronnie Milsap — "Smoky Mountain Rain"
Homecoming leads to heartbreak on Milsap's 1980 nautical chart-topper, wherein the singer "thumbed my way from L.A. back to Knoxville," merely to notice his beloved has moved on.
Tom T. Hall — "One-time Dogs, Children and Watermelon Vino"
"The Storyteller" drew from a existent-life come across for ane of his greatest tales. During a trip to Miami, he met a janitor at his hotel, who told him there were "three things in this globe that's worth a lone dime."
George Strait — "Amarillo By Morning"
The King of Country Music subtly parades his purple condition with a crisp story from the route.
Bob Wills and His Texas Playboys — "Stay a Little Longer"
A sense of taste of traditional western swing that merely asks listeners to dance all night and stay a fiddling longer.
Alabama — "My Home's in Alabama"
Country music'southward 6½-infinitesimal calling card to the Southward.
Emmylou Harris and Gram Parsons — "Love Hurts"
Well-nigh lx years since being initially released — and 45 years since Harris and Parsons' duet — aye, beloved tin can yet injure.
Ricky Skaggs — "Country Boy"
A slick-picking piece of land music (and No. ane hit) from one of the finest to selection upwards an instrument.
Ernest Tubb — "Walking the Floor Over You lot"
A 1941 entry in which Tubbs shares a restlessness in a uncomplicated chorus: "I'chiliad walking the floor over you/ I tin't sleep a flash, that is truthful. I'grand hoping and I'm praying as my heart breaks right in two/ Walking the floor over you."
Glen Campbell — "Rhinestone Cowboy"
"Rhinestone Cowboy" definedCampbell's career. It was a country-popular hit that kept the vocalist balanced between each world.
Carrie Underwood — "Before He Cheats"
Land music has its share of anthems for scorned women, but Underwood'southward signature vocal is the gold standard. An instant archetype upon its release in 2006.
Charley Pride — "Kiss an Angel Practiced Morning"
With the biggest of his dozens of hits, the Country Music Hall of Famer shared the primal to marital bliss: "Kiss an angel skillful forenoon/ And love her similar the devil when you get dorsum home."
David Allan Coe — "Yous Never Even Called Me Past My Name"
John Prine didn't want credit when he co-wrote this buss-off to Music Row. But information technology was the perfect message to be delivered past Coe, perhaps land music's well-nigh infamous outsider.
Willie Nelson — "Blue Optics Crying in the Pelting"
The Ruby Headed Stranger narrates a story of emotional messiness with soothing clarity.
Johnny Paycheck — "Take This Task and Shove It"
It spawned an eternal catchphrase, but don't forget in that location's another layer to Paycheck's lone chart-topper: "My adult female done left and took all the reasons I was working for."
Tanya Tucker — "Delta Dawn"
Recorded when she was simply 13, Tanya Tucker's offset haunting hit is ironically about an crumbling Southern belle, one who'south under the delusion that a long-gone suitor is nonetheless coming for her.
Patsy Cline — "Crazy"
Information technology'due south been covered past the likes of Neil Immature, LeAnn Rimes and Linda Ronstadt, but no creative person captured Willie Nelson's lyrical poignancy the style Cline did with her 1961 version.
Keith Urban — "Somebody Like You"
Urban sounds unstoppable on his 2002 nautical chart-topper, a honey song that'due south also wrapped up in his personal redemption.
Garth Brooks — "The Dance"
What 1 song could possibly capture the career of this country music giant? How almost the 1990 entry showcasing Brooks' unparalleled ability to embody a story worth singing for decades to come?
Charlie Rich — "Backside Airtight Doors"
Country love songs didn't get much more suggestive than Rich's 1973 hit.
Tennessee Ernie Ford — "Sixteen Tons"
Information technology may be one of country's most depressing songs, and in this genre, that's saying something. Ford'due south beyond saving in his 1955 recording, as he's "sold my soul to the company store."
Dwight Yoakam — "Guitars, Cadillacs"
When he found himself in Hollywood with a cleaved heart and shattered dreams, Yoakam clung to promise with his "guitars, Cadillacs (and) hillbilly music." Soon enough, it made him i of country'south biggest stars.
Hank Williams Jr. — "Family Tradition"
While he explained that he was just post-obit in his dad'south rowdy footsteps, "Bocephus" also truly stepped out of Hank Sr.'s shadow with this 1979 smash.
Oak Ridge Boys — "Elvira"
Airheaded-up! Nosotros cartel you to proper name a song that's more fun to sing than this Oaks "oom-poppa" classic (named afterwards an East Nashville street).
Ray Charles — "You Don't Know Me"
Charles' heartbreaking spin on the Eddy Arnold/Cindy Walker song is the meridian of his landmark anthology "Modernistic Sounds in Land & Western Music."
Kenny Rogers — "The Gambler"
Heighten a drinking glass to timeless advice.
Little Large Town — "Girl Crush"
Some radio programmers were terrified of this 2022 song — in which Karen Fairchild sings of wanting to "taste (the) lips" of the adult female who has her beloved involvement's attention — but listeners, critics and Music Row gave information technology a full encompass.
Lee Brice — "I Bulldoze Your Truck"
Brice'southward powerful 2012 hit was inspired past a true story of a father who found comfort in driving the truck once endemic by his son, who'd been killed while serving in Afghanistan.
Lacy J. Dalton — "16th Artery"
Several years later on she institute country distinction, Dalton fabricated certain to tip her hat to those still chasing their dream on Nashville's Music Row — aka 16th Avenue S.
Porter Wagoner — "The Green, Greenish Grass of Domicile"
Before Tom Jones, Elvis and dozens of others put their spin on Curly Putman's archetype, Wagoner first made it a hit. In a devastating twist, it turns out he'southward dreaming of his hometown while on death row.
Merle Haggard — "Mama Tried"
A slippy lead guitar, Haggard'southward sketched storytelling ... California country with "Mama Tried."
Randy Travis — "Forever and Ever, Amen"
Travis lays out his devotion in his signature vocal, and listeners haven't stopped loving it since its release in 1987.
Roy Acuff — "Wabash Cannonball"
This folk song nigh a mighty train had already been passed downward for generations when Acuff cut it in 1936, and his version helped the "Wabash" legend spread around the world.
Guy Clark — "Desperados Waiting for a Train"
Clark penned a beautiful tribute to his grandmother's boyfriend, Jack Prigg, "an old school man of the world" who would sing "Carmine River Valley" with the budding songwriter.
Brooks & Dunn — "Believe"
The state duo won multiple awards for this soulful ballad of unwavering religion.
The Highwaymen — "Highwayman"
Only songwriting great Jimmy Webb could conjure upwardly an epic theme worthy of country'south greatest supergroup, composed of Johnny Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson.
Larry Gatlin and the Gatlin Brothers — "All the Gold in California"
In soaring iii-part harmony, the Gatlins issued a warning to all who head westward with stars in their eyes: "Information technology don't matter at all where you lot've played earlier/
California's a brand-new game."
Charlie Daniels Ring — "The Devil Went Downward to Georgia"
In 1979, Daniels found the perfect showcase for his fiery fiddle technique — a familiar tale most a boy named Johnny who makes a bet with the devil (and wins).
Joe Diffie — "John Deere Green"
Confronting all odds, tractors have nothing to exercise with Diffie'south 1993 song. Instead, "John Deere Green" is the color used to paint "Baton Bob loves Charlene" on the town'south h2o tower.
Earl Thomas Conley — "Holding Her and Loving You"
It doesn't have a chorus, but "Property Her and Loving You lot" has quite a hook. Conley counts down the hardest things he'll always do, and the song's title tops the listing.
Dixie Chicks — "Wide Open up Spaces"
With the championship runway of their breakthrough album — about a young woman who'south ready to spread her wings — the Dixie Chicks truly took flying.
Kacey Musgraves — "Follow Your Arrow"
On acme of taking mainstream country into new territory with its "Kiss lots of boys/ Or kiss lots of girls" line, "Follow Your Arrow" was a powerful mission statement from Musgraves, equally she'due south proven to take great artistic instincts.
Patty Loveless — "How Can I Assist You Say Bye"
"Time volition ease your pain," Loveless sang. That may be true, but this tearjerker about carrying on after a move, a divorce and the death of a parent still stings 25 years afterwards.
Sugarland — "Stay"
What if "Jolene" could have given her side of the story? On Sugarland's massive 2007 hit, Jennifer Nettles sings from the perspective of a mistress, who begs her lover to stay before deciding she'southward tired of waiting.
Martina McBride — "Independence 24-hour interval"
It'southward often falsely assumed to exist a patriotic song, but McBride'due south triumphant canticle is really about a woman breaking gratuitous of an calumniating human relationship.
Lee Ann Womack — "I Hope Y'all Dance"
Whether yous're singing information technology to your kids, a loved one or yourself, Womack's plea to live life to the fullest and risk truly resonates.
G.T. Oslin — "80's Ladies"
Oslin rocketed through the decades on her 1987 striking, which fittingly sounds very much like a product of its fourth dimension. "Now nosotros're 80's ladies/ There ain't been much these ladies ain't tried."
John Anderson — "Swingin' "
Sure, it's nigh swinging on the porch (is it really, though?), but few country hits havestruttedthe fashion Anderson's feisty, horn-spiked 1983 hit does.
Nitty Gritty Dirt Ring — "Fishin' in the Night"
"You and me going fishing in the nighttime/ Lying on our backs and counting the stars." NGDB's archetype is all about simple pleasures, and listening to information technology is 1, also.
Kenny Chesney — "The Good Stuff"
Kenny's bartender teaches him a valuable lesson: "The practiced stuff" isn't alcohol; information technology's the memories you lot make with your loved ones.
George Jones and Tammy Wynette — "Gold Ring"
George and Tammy's greatest duet explains that "just love" tin transform a "common cold metal affair" into something more.
Luke Bryan — "Drinkable a Beer"
Bryan didn't write this song, just he made a powerful connection to information technology, relating it to the deaths of his brother and sis. He sings nearly learning of the death of a friend and going to the pier they would sit down at to "scout the sunset disappear and drink a beer."
Lefty Frizzell — "If You've Got the Money, I've Got the Time"
Some things never change. In 1950, Frizzell kicked off his celebrated career with this No. 1 tune about painting the boondocks red and going "honky tonkin.'"
Toby Keith — "How Practise You lot Similar Me Now"
Keith was already an established star, but he didn't really crank up the attitude until this 1999 hit, in which he rubs his success in the face up of an unrequited honey.
Waylon Jennings — "Only Daddy That'll Walk the Line"
"Everybody knows y'all've been stepping on my toes/ And I'm getting pretty tired of it." The outlaw fable is barely holding information technology together on his seething 1968 hitting.
Emmylou Harris, Dolly Parton and Linda Ronstadt — "Fifty-fifty Cowgirls Become the Blues"
The iconic trio finds exquisite harmony on a Rodney Crowell composition.
Hank Williams — "Your Cheatin' Heart"
Some consider this Williams entry, a can't-miss in country music history, to define the genre.
Source: https://www.tennessean.com/story/entertainment/music/2019/08/25/best-country-music-songs-all-time/1760586001/
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